Ken Kalfus

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"This dissociation from objective reality is both reminiscent of Mersault’s existential detachment in The Stranger, and echoes the foggy, nihilistic path of Kafka’s protagonist in The Castle. There’s also a labyrinthine and dreamlike quality to Kalfus’s prose that recalls the surreal expressionism of movies like Brazil and Delicatessen:"

— Colorado Review

News

May, 2022

May, 2022

2 AM Washington Independent

Link: In a near-future dystopia, the refugees are us.

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